Banned: 1984 Is Here

Breaking News: “Social media platform suspends Greek philosopher Aristotle for perpetuating the dangerous belief that the world is round, risking the lives of countless sailors.”

If you read that article today, you’d think it was from The Onion, yet the sad reality is that we are living through events future historians will judge harshly. As of yesterday, Twitter has suspended the President of the United States. Some may bemoan this while others cheer, but I see it as the start of a terrible precedent.

The reason I am writing this is that I am an author and I feel the need to take a stand against the insanity that seems to rage around us in the form of cancel culture and censorship. In a way, I feel that I am fortunate that I am on the back end of life, because those who are just starting out will have a bleak future if this madness continues.

I grew up reading in one form or another; comic books, magazines, and books littered my room. Okay, truth is they were all neatly arranged in chronological or alphabet order, but that is a topic for a different day. The point is, I read a lot. In fact, many of the books I read in school are now being banned. Classic reads such as To Kill a Mocking Bird, Of Mice and Men, The Adventures of Huckleberry Finn, The Catcher in the Rye, and Animal Farm. The latter I can appreciate, as it is a warning of the dystopian times we currently live in and we can’t risk people waking up to their own demise.

How long before The Great Gatsby, Catch-22, or 1984 make the list?

Oops, just checked and 1984 is banned. Life comes at you fast.

As an author, I am appalled at the growing calls for censorship, especially when it comes from those in my field.  At what point do we wake up and see the folly of our actions, or will we? When the mob gets done with the low hanging fruit, those things we seem to find easily objectionable, will they then pursue loftier goals? Will orders come from on high that quantify what we as authors can write? Will authors who write about a different gender, race, or creed be ostracized for having the audacity to write outside their lane?

Don’t think this will happen? Think again. I belong to several substantive industry groups, and this subject has already reared its ugly head on several occasions. Heated debate has risen on what some authors should and shouldn’t do. It seems farcical, but how long before it gains traction and becomes mainstream thinking?

My principal character in the James Maguire series is a man of Irish descent and a member of the NYPD. I should be safe with him, but what about Alex Taylor? Will I be banned from writing any future stories because she is a female and I don’t meet the gender threshold? How about Angelo Antonucci, since I’m not Italian? I guess I’m really screwed with my latest book, Awakening, which is a vampire saga.

The point is, censorship, in any form, is wrong.

Years ago, I read Adolf Hitler’s Mein Kampf. I did so as a historian who wanted to understand the inner workings of the man who brought so much pain and death into the world. You can also add Otto Skorzeny, Reinhard Heydrich, Heinrich Himmler, and others. I’ve also read books on several American luminaries such as Washington, Jefferson, Franklin, Lincoln, and Theodore Roosevelt. Complex men who may invoke equally complex feelings depending on what side of an issue you find yourself on, but isn’t that what a book should do? To make you think?

As an author, I feel it is my obligation to make you feel something when you read my books. I want to take you to a place that causes you to think. One of the greatest compliments I ever received was when a reader told me she had cried over a character. What’s that you say? You cry over characters all the time? That’s awesome, but did I forget to mention that this character was a terrorist?

Life is complicated and we do ourselves a terrible disservice when we try to sanitize it. Echo chambers are not healthy, nor do they stimulate thought and reason.

The actions being taken today, under the seemingly benign guise of tolerance and diversity, do not differ from what the aforementioned Hitler did. It’s ironic that those screaming ‘fascist’ the loudest are engaging in the same fascist actions they apparently abhor.

Mark Twain famously said, “It’s better to keep your mouth shut and appear stupid than open your mouth and remove all doubt.” I would argue that it is better to open one’s mouth, and let others judge you for the content of your argument, than it is to keep your mouth shut just to appease the intellectually stunted.

Sadly, many in my field disagree with that sentiment, and that should worry you.

We often take the literary genre of Satire for granted.  Historically, it has satisfied a need to debunk or ridicule those in politics, religion, and other figures of power. Some of you may have even read the book ‘The Emperor’s New Clothes,’ by Danish author Hans Christian Andersen, but did you know he wrote another book called ‘The Swineherd’? Both of the aforementioned books were satirical. The former pointed to the courtly pride and intellectual vanity of the king who’d been fooled by two weavers that gave him invisible clothes. Everyone went along with the charade, because he was the king, except for a young boy who could see he had no clothes. In the latter, a poor prince is rebuffed by a princess and takes a role as a commoner who provides the princess beautiful gifts in exchange for kisses. When her father the king finds out she is kissing a commoner, he throws her out. The prince then washes his face, puts on his royal attire, and spurns her. In both instances, the high and mighty receive their comeuppance, but there is more to the story.

After writing those satirical works, Anderson purportedly received a gift of a ruby and diamond ring from the Danish king.  After receiving the ring, he never wrote another satirical story. In fact, he went on to pen The Ugly Duckling, a transformative story that many consider to be analogous to Andersen himself. Some suggest the ring was a successful attempt to curb Andersen’s political satire and successfully bring him into the royal fold.

Is that what we are seeing today? I believe so.

Those in the creative arts, whether writers, actors, comedians, have always been at the vanguard of not only entertaining us, but making us uncomfortable at times.  Lately, this group seems to grow more angry and inclined to demand that you conform to their world views. If you do not, you subject yourself to cancel culture. This is a very scary place to be. If we can’t write what we are motivated to, what is the point?

Consider what happened to literary titan, J. K. Rowling, last summer. Ms. Rowling tweeted something which was deemed to be anti ‘LGBT’ and the cancel culture mob immediately descended on her. Interestingly enough, two of the people leading the charge were Daniel Radcliffe and Emma Watson, the two actors who achieved incredible success playing characters from Ms. Rowling’s books. Let me say at the outset that I am not a fan of Ms. Rowling, and I have found myself in disagreement with her positions in the past, however I respect her work as an author. I feel no need to cheer for her opponents and no desire to cancel her for her opinions. It’s called being an adult. If I find something to be distasteful to me, or something that goes against my beliefs, I simply do not support it, but I certainly don’t go out to the village square and demand that everyone else conform to my positions or else. Yet that is what we are currently seeing in our society.

I am merely an entertainer; my opinions and positions are no greater, nor any less, than yours.

Yes, my books contain positions and topics that often coincide with my own, but they also contain elements that go against some of my beliefs.  I push myself as often as I hope I push you. I will never write what is safe. For me to do that, I would simply have three blank chapters in every book: The Beginning, Things Happened, The End; and you would be left to fill in what you preferred to read. Not exactly an edge-of-your-seat thriller.

Maybe it’s time that we all just go back to being examples of courtesy and respect, instead of being harbingers of our own demise.

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Awakening: The Crystal Coven Saga (Pre-Order)

I’m pleased to announce that my latest book, Awakening: The Crystal Coven Saga, is available for PRE-ORDER on Amazon and will be officially released on July 31st.

This is a story I have been working on for a while now and I am so happy to finally release it. Up until now, the majority of my fiction books have fit into the traditional police procedural genre and this one will as well, with one exception. Awakening crosses over from the mortal realm to the supernatural and introduces a new protagonist, NYPD Detective Karl Sigurdsson.

When the body of an elderly man is discovered in a local park the unsettling clues point to something much more nefarious than the street-wise detective is accustomed to handling. Soon, he begins to see an unsettling pattern begin to emerge, but is the killer homicidal maniac or something even more terrifying?

Sigurdsson soon realizes that the criminal justice system is the least of his concerns, as he is drawn deeper into the labyrinthian world of vampires. As a power struggle brewing in the immortal world threatens to boil over into the mortal realm, Sigurdsson is forced to confront the fact that he could soon turn from being the hunter into the hunted.

The origins of this novel reside in a song called ‘Make me Wanna Die,"‘ by The Pretty Reckless. I’d heard it one day while I was at the gym and I thought it was an interesting premise, especially if you put it within the supernatural realm. It turned into the premise for Awakening: How far would you go to save the woman you love?

Karl Sigurdsson is about to find out.

You can pre-order the e-book now and it will be delivered to your Kindle on July 31st. The print copy will also be available on that day as well.

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Why Do I Write ?

It’s a question that I have been asked probably a hundred or more times and it is a question you would think I would know the answer to, but incredibly it is one that I have struggled with, until now.

In the past I would simply say, ‘I have a lot of stories to tell,’ and while that is true, it doesn’t answer the actual question. Everyone has a lot of stories to tell, but not everyone becomes a writer. My first novel, PERFECT PAWN, came about because my wife dared me to write it, but seven years later I have nine novels, two novellas, and three non-fiction books published. I also have a tenth book ready to come out and two more outlines queued up and ready to go.

So why do I write?

The answer didn’t hit me until I read a blog post by Jason Allison, a fellow retired NYPD detective and author. Jason writes some terrific posts and I highly recommend you check them out. But it was one particular post titled: You Can’t Go Home Again, which really resonated with me.

From the ripe old age of five I knew exactly what I wanted to be when I grew up, a New York City Police Officer, and for two decades I had a front-row seat to the Greatest Show on Earth. My time with the NYPD was filled with incredible experiences. To quote Charles Dickens, “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness.”  There are no words to adequately explain a career spent with the largest police department in the United States, but one memory stands out and that was the day I retired from it.

After loading up my car and saying my goodbyes to my co-workers I walked out of my office, pausing for a moment to look back and it is this moment that is ingrained in me. My career was ending, but the job continued. It always does.

This month, the NYPD celebrates its 175th Anniversary. During that time, some of the most gifted and heroic police officers have been a member of the Department, but we all share a common legacy, and that is to say the job continued, long after we were gone.

It is true that my career gave me a lot of stories, both good and bad, that I draw from in my writings, but is that why I write? The answer to that question is no. I realize that the reason I write is to maintain that connection to the job.

As I sit here in my office, writing this post, I am surrounded by a collection of NYPD memorabilia that spans a period of time that is almost as old as the Department itself.  Sometimes I look at these items and think about the officers who wore or used them. What events, both good and bad, did they experience? Could they have ever imagined that the last time they touched it, that it would end up in the hands of another NYPD officer a hundred years later? The truth is that the NYPD is not who I was, but who I am.

My books are my link to the job. In creating the characters of James Maguire, Alex Taylor, and Angelo Antonucci, I have forged an eternal link between myself the Department. Long after I am gone, these characters will survive and so will my connection to the job.

Perhaps this is the reason other cops, such as Joseph Wambaugh, Ed Dee, and John Mackie, became writers, because as long as the characters live in the reader’s mind, so do you.

I could have retired from the job in 2005 and just walked off into the sunset, content in the knowledge that I had been a small part of the greatest police department in the world. But perhaps my greatest legacy will be that one day a reader will pick up one of my novels and say, ‘yeah, that’s what I want to do.’

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Tools for Writers - ProWritingAid

I rarely endorse any products, but I recently came across one called ProWritingAid that has improved the way I write.

I wrote my first NYPD novel, Perfect Pawn, in 2012. Back then, my creative writing training comprised everything I had forgotten in school and the ungodly amounts of reports I had written during my police career. Not exactly a solid foundation to become an author, but I had a story to tell and I enjoyed writing them. Eight years later I have written thirteen books that span three different fictional series’ and several non-fiction works.

Over the years I have improved as a writer, but in the beginning I got blasted frequently by reviewers. While the found the books enjoyable, they took exception to the grammatical errors in my earlier works. What can I say besides mea culpa? As I said, I’m a story-teller, not an English major, but that doesn’t mean I am ignorant when it comes to acknowledging my weaknesses. So I did the best I could, taking the criticisms to heart and trying to learn on my own.

As an aspiring author, you learn several hard truths. The first is that this game is rig against you. Those lucky enough to get a publishing contract get access to a wide variety of tools that help them deliver a polished product, including editing services. Indies can also accomplish that, but it comes out of their pocket.

Here’s a rate schedule put out by the Editorial Freelancers Association in 2008:

Basic copyediting: $25 to $40 per hour Pace: 5 to 10 pages an hour
Heavy copyediting: $35 to $50 per hour Pace: 2 to 5 pages an hour
Substantive editing: $40 to $65 per hour Pace: 1 to 6 pages per hour (also called line editing)
Developmental editing: $50 to $80 per hour Pace: 2 to 5 pages per hour

For argument’s sake, let us assume that an Indie author produces a 350 page book. Even with the most basic editing, it will probably run them around $2k. This means that they will have to sell over 1k books before they realize any profit. If you add in the cost for a cover and formatting, it will be a lot more.

I found myself in the same literary boat. While I had the ability to design my own covers, and taught myself formatting, I floundered in the area of editing. I tried to get the help of others, more knowledgeable in grammar, including an English teacher, but it wasn’t enough.

About a year ago, I came across a link for a program called ProWritingAid. Admittedly, I was skeptical at first, but since it was a onetime fee, I bit the bullet and tried it. I figured the worse it could be was a tax deduction at the end of the year. I ran my first novel, Perfect Pawn, through it and sat back. Now mind you, I had been ‘editing’ this book for nearly seven years. Every time I would get a negative review I would go back and do another review to fix the mistakes.  At the point I ran it through the ProWritingAid summary program. I thought the book was pretty solid, clearly I was wrong.

What the results showed was that my overall score, after all those edits, was only a 77 out of 100. On top of that, my grammar was an 81 and my style was an abysmal 56. It felt like I got kicked in the guts.

I sat down and began reviewing each chapter, doing my best to make corrections, while not impacting the story. In the end, I improved my overall to a 93 and my grammar to a 99. I wish it were perfect, but you will never be 100 percent. After all, in one of George R. R. Martin’s professionally published / edited book there is a sentence that says they “raped the windows”……….. Ouch.

As indie authors, we must always look to improve, not just for ourselves, but for the readers experiences as well. I firmly believe that ProWritingAid can do that, so much so that I have gone back and have begun re-editing all of my books using this program. Not only is it going to help with your grammar and spelling, but it will also show you the words you use too much.

If you are an author, on a limited budget, I suggest that you give it a try. I’m sure you will find it to be a worthwhile investment.

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Best wishes, Stay Safe, & God Bless.

Andrew

Corona Virus Quarantine – Day:……. Who Knows?

Well, I got up today and realized it’s the 67th day of Femarpril, or whatever the hell month we are in right now, and it has been about two months since I posted my last blog entry.  I figured now was as good a time as any to let you know that I am alive and well, having survived the great toilet paper skirmish of 2020.

These last few weeks have proved to be an eye opening experience for me, as I have learned that my lifestyle apparently has a name: Self Quarantining. Who knew? I also realize that with the number of people posting photos of their alcohol supply, and having gone through just about every Netflix show in existence, I have a feeling that the wild nights of quarantine are going to be replaced with the raucous sound of babies crying in December. Introducing the next defined baby group: Coronials!!

One benefit of being an author is that we create our own little worlds, so if the one we are living in isn’t working for us, then we just move on. I’ve spent the last few months re-editing & re-publishing some previous novels: Perfect Pawn, Queen’s Gambit, Small Town Secrets (which also got a new cover re-design), Bishop’s Gate, Cold Case: The Katherine White Murder, and have Little Boy Lost in final review. I’m gradually making my way through my old backlist to polish up my prior books.  My goal is to give the reader the best possible product for them to enjoy.

Along the way, I’ve written a new novel which I hope to get out this summer. I’d hoped to release it in winter 2019, but there was just something missing and I didn’t want to force it. I’ve also penned an outline for a new Angelo Antonucci Cold Case novella and the outline for the next Alex Taylor novel.

So that’s what has been happening on my home front. I truly wish you all the best during this chaotic and uncertain time. Just remember, nothing lasts forever and each day is one day closer to the end of this nightmare. Until then, sit back, grab something to drink, and enjoy a good book. Chances are it will be a better world than the one we are living in right now.

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Best wishes, Stay Safe, & God Bless.

Andrew